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The Third Annual 

October 9-11, 2015

Ramada Plaza Liberty International Airport 

Newark, N.J.

Matthew McCaulley
THE SUBSTITUTE
 Jennifer Healy Gloeb
SEVEN SlIDES 
RESURRECTION ROAD

Jennifer is a television news producer who worked for NBC and CBS affiliates in Minnesota and California. She is the winner of an Edward R. Murrow Award and an Associated Press Radio and Television Award for her writing.

SYNOPSES

SEVEN SlIDES

Seven-year-old Violet and two new friends find themselves transported through time each time they use a tunnel slide in a mysterious playground. They experience iconic events in American history and meet loved ones who have gone before them in this fantastical adventure for the whole family

RESURRECTION ROAD

A wayward, would-be singer and virtuous country girl fall in love one summer in the South, only to be separated by lies and deceit. When the young man sets off on a path of destruction, he meets a marine-turned-preacher who will help take his musical talent to a level he could have never imagined.

Mike Reid  
EXECUTION DAY

Mike Reid started learning the craft of screenwriting in 1994, but it took him six years before his writing was good enough to catch the eye of independent producers. In the early 2000's, Reid optioned several screenplays, but their options eventually expired. In the mid-2000's, Reid began writing for Greg Robbin's Uplifting Entertainment receiving Writing/Story Editor credits on TV shows such as Pastor Greg, His Kids, Bedtime Stories with Monty, and Super Simple Science Stuff. In the past decade, Reid has worked on many screenplays for Stuart  and Cindi Miller's GodZone Ministries and in 2017, Reid finally realized his dream of having a film (Sense of Urgency) he co-wrote released. 

 

During these years of writing for others, Reid never stopped working on his spec screenplays. Reid uses screenplay competitions to gauge the strength of screenplays and their awards and recognition to market them to agents, managers, and producers and in the case of his Execution Day screenplay, investors. He is an award winning screenwriter winning the 2015 IFA Screenplay Competition for his faith-based drama, The Tribute, which was acquired in 2016 by Believe Entertainment (Co-Producers/Co-Writers of God's Not Dead 2, Do You Believe?, and God's Not Dead) and winning the 2018 Diversity Film & Script Showcase for his faith-based psychological crime drama, Execution Day. With its limited locations and small cast, Reid wrote his Execution Day screenplay to be micro-budget in order to have an opportunity to produce it himself.

SYNOPSIS

When the red phone rings during an execution, the voice on the other end is not that of the governor’s, but that of a kidnapper demanding the governor pardon the death row convict by midnight or the warden’s wife will be killed.

Frank Mcevoy
THE SHROUD TRINITY

 

 

Originally from North Andover, Massachusetts, Frank attended Brooks School, Bowdoin College, and George Mason University. He served in the U.S. Navy as a communications officer in Iceland and aboard a fast frigate.

 

He has worked most of his working life as a technical writer/editor, but he possesses training, experience, and success as a counselor, English teacher, actor, standup comic, and screenwriter. He studied under Rick Reichman when Mr. Reichman taught screenwriting at Georgetown University.  He has given addresses at the University of Pennsylvania on substance abuse treatment and is also a Benedictine Oblate. (These come into play in his movie scripts.)

SYNOPSIS

THE SHROUD TRINITY is an action/adventure movie set in Washington, D.C. The script centers on a theft of the Shroud of Turin, Christ’s burial cloth. The Shroud is exhibited at the National Gallery of Art and stolen in a brazen, violent daylight robbery during the exhibit preparation. 


Happily, a trio of local heroes rises who gets it back. One third is a D.C. policeman who has a cults-and-crazies beat, the second is a young, brilliant nun, and the third is a New York City street thug who’s an alcoholic seminarian. The script takes place in religious locations around Washington, around Catholic University, the National Cathedral, and under St. Matthew’s Cathedral. That gets everyone into a crypt room deep below St. Matthew’s and into the city sewers, where the team navigates an undercity waterway in a downpour and encounter a murderous sewer alligator. 
Along the way, they encounter cryptic clues to the Shroud’s whereabouts, unsuspected villains, hiding from sinister characters in the underbelly of Washington nightlife, find themselves a mentor in an older nun who has devoted her life to the Shroud (who dies when during the Shroud’s theft), and end up finding themselves transformed. Their mentor tells them at the start that those who devote themselves to the Shroud get “a gift of one’s own.” In the end, the Shroud delivers. 

Mitch Emoff  
PETE SIMON -
AGENT  OF GOD

There are outlandish comedies with faith elements. Conversely, there are Christian evangelistic movies that have some tame comedic moments. But there is clearly a lack of films with a strong Christian message that go all out with comedy. And with that void comes a missed opportunity to pass along the teachings of Christ in an entertaining way to a captive movie audience of millions who may not hear the message every week as church attendance continues to drop.


So why have there not been more successful films with a deeply Christian message that go all out with satirical humor? Simple. Few if any have been made. 

Movies have certainly had success as comedies with a watered down ‘Hollywood’ faith message like "Oh God", "Evan Almighty", and "Bruce Almighty". There is no denying their box office success, but in their quest to ride the middle by referring only to a generic ‘God’, they failed to promote a pro-Jesus message for which a strong audience exists.

That’s all about to change. Meet "Pete Simon – Agent of God".


"Pete Simon – Agent of God" checks both boxes of pushing the envelope comedically and still offering a strong pro-Christian message. In today’s society where there are so many distractions pulling people away from churches, it is important to find new ways to attract potential followers of Christ’s teachings. Using film as a universal medium to reach millions, it’s possible to engage this missed segment of Christians with an uproarious, satirical comedy that reveres Jesus Christ at the same time.

Logline: When a greedy, agnostic music agent worships money, not God, he is sent back as one of Christ’s disciples causing a disruption of biblical proportion.

Rating: PG 

Samuel Taylor
AT THE MERCY OF FAITH

Samuel L Taylor served as Associate Minister at Lubbock

Street Church of Christ in  Lufkin, TX from 1980 to 1984. 

During this time,  he wrote and published 2 gospel  booklets, as well as recorded a gospel album.  Trials 

and  tribulations in his personal life inspired him to start writing  "At the Mercy of Faith."  

 

A screenplay  more than 30 years in the  works,  At the Mercy of Faith is a highly visual and groundbreaking 

faith‐based  screenplay  in the vein of  "The Pursuit of  

Happyness”  meets  "Drag me to Hell "in the  "Twilight

Zone."

SYNOPSIS

 

A fourteen year old preacher renounces his faith in God in the wake of a traumatic event. Eighteen years later, the terrifying demons from his past viciously return to wreak havoc on of his home and claim his soul for the god of their hell.

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